越剧“男腔”研究

【外文题名】The Research on the Male Cavitiy of Yue Opera

【作者】 申红玉

【关键词】 越剧 男女合演 男腔 传统 非物质文化遗产

【外文关键词】 Yue Opera;Actress play both man and woman;Male cavity;Tradition;Intangible cultural heritage

【导师姓名】南鸿雁

【学位名称】硕士

【学位年度】暂无

【学位授予单位】暂无

【录入时间】2015-02-11

【全文挂接】 读秀挂接

【摘要】世纪的针对“男演员该如何演唱原有女子生腔以及创造发展新的男生腔”的争论和实践改革。同时,也正是这种争论和不断进行的创新,建构了当代越剧发展路径。本研究试从传统与创新的角度,对这一目前仍在改革探索中的越剧表演形式进行学术梳理,同时就当代越剧男腔的处境、以及其作为非物质文化遗产背后所传达的传统的再创造问题展开讨论。

【外文摘要】The Yue Opera is a famous local opera, and was selected as national level’s intangible cultural heritage. After hundreds of years of development, the performances of the Yue Opera’s artistic form also experienced a transformed course, from the all-male class, male and female mixed class, to women’s class. As a response to the literature and art policy of the new period, In the early1950s, people broke the old tradition that all the actors should be actress, tried to mix actors and actresses together. In the process of the reform,"how can an actor to perform a role which should be only performed by the actress" become the key to this reform. However, the issue still remains controversial today. To this issue, this article aims to introduce the development of singing problems of the Yue opera on the base of study and research, at the same time, hoping to find a better way to solve the "tradition to modern" problems.