从杨小青、郭小男导演艺术探索论当代越剧发展的特征

【外文题名】

【作者】 吴敏

【关键词】 当代 越剧 导演 杨小青 郭小南 诗化 文化 审美 形式

【外文关键词】 present;Shaoxing Opera;YangXiaoQing;GuoXiaoNan;director;poetic;culture;esthetics;form

【导师姓名】张仲年

【学位名称】硕士

【学位年度】暂无

【学位授予单位】暂无

【录入时间】2015-02-11

【全文挂接】 读秀挂接

【摘要】潮流?还是坚持本体、唯心是求?成为新一轮越剧导演思考的问题。本文将重点探讨杨小青、郭小南兼及其他导演在当代越剧领域的探索。对杨小青提升“诗化越剧”与郭小南定位“文化越剧”的两种审美倾向及导演风格追求、导演手法运用进行归纳梳理与比较认识,进而进一步思考越剧的本体究竟是什么?极致追求“形式美”与高度关注“文人化”会不会造成更大的审美危机?如何赋予“越国秀美的山水、淳朴的人情、悠扬的节奏”以崭新的审美诉求,创造充满生命活力的人物形象。

【外文摘要】The directors of Shaoxing opera have made more contribution to the development of Shaoxing opera than other types of drama . Shaoxing opera is the earliest drama that established director system. With the foundation of director center system and authority system ,the synthesized art pattern of Shaoxing opera has established and made great contribution to the whole development of Shaoxing opera .In the 1990s, many new media grown up day by day such as movies、TV、public entertainment、internet animation. Shaoxing opera is being peripheralized by the competition.To reform or to cater for new trend ? This is a question that the new directors of Shaoxing opera has been thinking of .This article will discuss the exploration that Director Yang Xiao Qing and Director Guo Xiao Nan and other directors have made in the field of present shanxing opera .By concluding and comparing the two esthetic trends and director styles that Director Yang Xiao Qing promotes“poetic Opera”and Director Guo Xiao Nan defines“culture opera”,to think what exactly the noumenon of shaoxing opera is. Will it cause a bigger crisis if we persuit the form and highly pay attention to philosophy? How to give a new esthetic trend require of Zhejiang beautiful landscape、honest people、melodious rhythm and create intrabiotic characters .